About

SUPERJAM

Superjam was formed in the spring of 2010 in South City, St. Louis, Missouri, with one goal in mind: deliver high-energy rock and roll the way it was meant to be played—loud, passionate, and unapologetic.

Word spread fast as the band began packing the infamous House of Rock in South St. Louis, earning a reputation for explosive live shows and powerful renditions of classic rock’s most legendary bands. Night after night, Superjam proved they weren’t just another cover band—they were an experience.

Their relentless energy and tight musicianship quickly made Superjam one of the biggest draws in the Missouri/Illinois bi-state area. From there, the band took their show on the road, performing coast to coast and building a loyal following wherever they played. No matter the venue, Superjam delivers the same thing every time: a full-throttle rock show that leaves audiences wanting more.

Superjam is made up of seasoned musicians who live and breathe rock and roll:

• Steve Hall – Lead Vocals

• Eric Lysaght – Guitar & Backing Vocals

• Joe Meyer – Drums

• James Wolfe – Keyboards, Saxophone & Backing Vocals

• Rob Sherman – Bass & Backing Vocals

More than a band, Superjam is a celebration of classic rock, high-octane performance, and the raw energy of live music—keeping the spirit alive one stage at a time.

Contact

Please contact American Bands for SUPERJAM Booking

Phone: 1.833.ABE.BAND

Email: superjam@abeagency.com

Music

Remembering Ken

Remembering Ken McCray

 

It's difficult for drummers to distinguish themselves in the hard-rock genre. Sure, they get loud sixteenth-note fills, but it's all too easy for them to either plug along with a boring basic beat or to overwhelm the song by overplaying. That's why Ken McCray of '70s cover group Superjam and '70s-inspired hard-rock quartet Tilts is so good. The veteran musician strikes the all-important balance of playing interesting but never distracting patterns, and he makes sure to hammer the hell out of them with military precision and volume. Little touches in Tilts tunes — like the syncopated intro to "Strongbow" and the minimalist cadence of "Touchdowns" — shape and give character to the songs while still letting the guitars take center stage. McCray supplements his technique with superb tuning and taste in drums that ensure his kit sounds as menacingly heavy as his playing. A perfect team player, McCray is the ideal hard-rock drummer. 

Rest in peace my friend! 

Here's a great Article about Ken from the RFT! https://www.riverfronttimes.com/musicblog/2016/01/11/rip-ken-mccray-st-louis-best-drummer